Jazz hinter dem Eisernen Vorhang / Jazz behind the Iron Curtain

Programm

26.9.

Josef Jarab: Marching Regimes and Syncopating Drummers: The Stories of Jazz in Unfree Societies

27.9.

I. USA - Europe
John Gennari: The Other Side of the Curtain: U.S. Jazz Discourse, 1950s America, and the Cold War / Rüdiger Ritter: Americanization and Counter-Americanization - Jazz in Western and Eastern Radio Stations / Claire Levy: East and West in Dialogue? On the Intercultural Aspects of Jazz History / Yvetta Kajanova: Additional Components and Components of Meaning in Jazz in the Period of Communism Exemplified on Czech and Slovak Jazz

II. Two ways of jazz: Poland and SU
Martin Lücke: The campaign against the jazz in the USSR - 1945-1953 / Michel Abeßer: Jazz in the Soviet Union 1953 and 1964 - Cultural Opening, Nostalgia and Isolation / Marta Domurat: Jazz - Press in the People’s Republic of Poland. The significance of „Jazz“ and „Jazz Forum“ in the past and in the present / Piotr Baron: Development of „national styles“ in Jazz / Piotr Pietraszewski: To be a Jazzman in Poland. A sociological Analysis

III. Between East and West: The Baltics
Tiit Lauk: Estonian Jazz under the Conditions of Soviet Power in 1940-1967 / Heli Reimann: Developing Musical Identity under Conditions of Soviet Regime: A Portrait of Jazz Artist Lembit Saarsalu / Ruth Leiserowitz: Jazz in Soviet Lithuania - a nonconformist niche

28.9.

IV. Variety of East Central European Jazz scenes
Gergö Havadi: An individual subculture in Narratives and reports of spies. Hungarian Jazz in Socialist Period / Adrian Popan: Jazz Revival in Romania 1964-1971 / Petr Motycka: Jazz Section: Platform of Freedom in CSSR (Prazhske jazzove dny and publishing acitivities) / Christian Schmidt-Rost: Freedom within limitations - interplay of the PRP’s and GDR’s jazz scene

V. Jazz and Art
Gertrud Pickhan: Visualizations of Jazz: Soviet and Polish Film / Marina Dmitrieva: Jazz and Dress. Labukhi and Stilyagi in Soviet Russia of the 50s and 60s / Wiebke Janssen: Rock’n-Roll - „Halbstarke“ in both German states in the 1950ies / Karl Brown: Dance Hall Days: Jazz and Hooliganism in Communist Hungary, 1948-1956 / Michael Dörfel: Negro lyrics and Negro music. The Jazz and Literature discs of AMIGA

Résumé
(Bert Noglik)

Final discussion

Weitere Informationen:
http://hsozkult.geschichte.hu-berlin.de/termine/id=9850

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Arbeitsgemeinschaft historischer Forschungseinrichtungen in der Bundesrepublik Deutschland e.V., 2008.
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